"I'm in a town. Or village."
"Good, honey. Real good. Now tell me. Is this it?"
"Yes. Yes, I think this is the place."
"Very good. We've found it, Rachel. Describe it to me."
"It's warm here. Gray. Feels like late spring, just before summer. The wind smells of ocean and wood smoke. And there are puddles from a recent rain, looking like broken pieces of the dull gray sky scattered over the ground."
"Look
around you, girl. We need information."
Rachel
Abernathy slowly nodded her head. She swept cascading waves of naturally curly
blonde hair from one prominant cheekbone with a short sharp motion of her head,
and then she began idly to pick at a right hand fingernail with a left hand
fingernail. She caught herself doing it, stopped, and spread her hands onto
the carved mahogany arms of Miriam's favorite chair.
"Oh,
this place is old. Cobblestone streets. Hitching posts. Wooden steps
here and there. Buildings all of stone and wood. And I see faces in the windows.
Hmm---that's strange---people turn away from me when I look at them. I'm going
farther now. I'm feeling kind of nervous, but I don't know why."
Rachel's
heartbeat accelerated until she could feel each strong pulse in her temples.
Her eyelids pressed more tightly together, and her hands gripped the chair arms
as if she were waiting for a jolt of electric current to hit her.
"There
is a pillory in the center of the town square. A man is there, held by the neck
and wrists. He is---oh, my---people are throwing things. Jeering. Laughing.
I feel badly for him, but I don't dare try to---"
"Move
on, Rachel. Look for things you can recognize from the dream. What else do you
see?"
Rachel
remained silent for a moment. The extravagant contours of her lips unconsciously
half-pouted. Her eyes, obediently closed since the beginning of this past-life
regression session, now blinked open and stared without focus into the middle-distance
of the densely furnished, nick-knack infested living room of her friend---as
if to give her mind another way to see---and then they drifted shut again.
She
was confused. So far, her will alone had been sufficient to move her within
this place, but now something seemed to pull her in one distinct direction.
She tried to resist that force and her motion slowed. As if in response, the
force grew stronger. Her disembodied awareness had no choice but to follow it.
"What do you see now?" Miriam's voice was the same honey-smooth contralto as always,
but there was a slight edge to it now, conveying enough of a sense of urgency
that Rachel responded, categorizing her thoughts and forcing her mind to attach
vocabulary to the experience.
"I'm
moving. Faster now. I don't know where I'm going. It's someplace I must go.
That's all I know."
"Why?
Why is that so important?"
Rachel's
head turned slightly, first left then right. "I don't know. I can't---there's
danger. I must---"
"No,
Rachel. There's no danger. Listen to me. Tell me who you are."
"What?"
"Tell me who you are."
"I
don't know."
"Look
at your feet."
"I
don't understand."
"Rachel.
Look down at your feet. What do you see?"
Rachel's
head tilted forward toward her lap. Curls of hair fell forward, tickling the
arched curves of her cheeks. Deep within her mind, she knew she was safe in
the candlelight and the after-dinner aromas of Chinese mussels and cracked crab,
here in Miriam's comfortable living room. But the tiny teeth of her fear continued
to gnaw at the edges of her thoughts. Rachel fought free of them, refusing to
be thwarted in her mission for truth. She focused her mind's-eye and nodded
in satisfaction.
"I
see button-hooked shoes. And stockings. And a long skirt of calico muslin."
"You
are female."
"Yes."
"How
old are you?"
"I
don't know. There's someplace I must go. I must hurry."
"Why?"
Miriam waited for a reply. She sighed, shifted her weight, and asked again.
"Why?" Miriam's pencil began to tap nervously against the spiral notepad on
her lap. "Stay in contact with me, Rachel; keep talking. Keep looking for things
that you can recognize---things you can remember from the dream. Tell me what
you see. Tell me now."
Rachel's
brow narrowed in concentration. "It's as if I'm flying. Away from the town. Into
the forest beyond. I know my way. I know it well. I've been here many times.
Yet this time is different." She swallowed and then coughed; her throat was
dry. "This time I'm afraid."
"Afraid
of what?"
"I
don't know---wait---I'm hiding, or running away---oh---there's someone after
me---oh, God. Hunting me. I don't know why, but I can't let him find me! I must
get away!"
"Rachel!
Move on! No one can hurt you. You are in complete control of this process. You
can reenter your true time and place whenever you choose. You have full---"
"I
have to run. Hide. I'm afraid."
"You're
okay, honey. Nothing can hurt you. Move on. Go past your fear."
Rachel
couldn't answer. Her mouth dropped open as the feeling of danger washed over
her.
"He'll
kill me if he finds me," Rachel said so softly that it was almost a whisper.
Rachel
was suspended between one world and the next. She could feel memories. Pleasant,
exciting memories of love, of hard work well done, and of the joy of faith in
God. But there was no way to enjoy them, with the urgent feelings of doom that
ran up her heels to snap their jaws in her face.
Miriam
took a long deep breath and let it out slowly.
Rachel
sensed the tension that Miriam's sigh conveyed. Miriam believed there was no
real danger in procedures of this kind, and she had convinced Rachel of that---but
now that they were so deeply into the event, so close to finding the answers
to the questions that plagued Rachel for so long, Rachel could understand the
growing sense of apprehension that seemed to lay upon the air between them.
"Please
move on," Miriam said, her too-casual tone failing to mask her mounting concern.
Rachel
didn't answer. She followed her dizzy course, as a crow or a raven might fly,
to its destination. A structure slowly rose from the trees, becoming more distinct
as she neared it, and when the round stone turret and fortified walls of the
place came fully into view, Rachel's heart leaped up to block the breath in
her throat.
So
many things happened in the next instant that Rachel could scarcely register
them all; images fluttered around her like leaves in a storm---
---a
face, dark, seeming to be no more than a pair of eyes that stared coldly from
a course cloth cowl.
---another
face, old and wrinkled, with a piercing stare, brave, and radiant with love.
---a
stone-walled chamber, echoing with pain and fear realized, with faith and courage
tested.
Rachel
knew this place well. It was part of her recurring dream. And in the dream this
room was never empty.
Then
the room swirled away and another face swam near. Rachel gasped and gripped
the arms of the chair until her knuckles cracked. She couldn't breathe.
It
was his face. The Blue-Eyed Man from her dream.
The
perfect symmetry of his features held the softness and playfulness of a young
boy. But the bold set of his jaw and the strong lines of his brow and cheekbones
denied that playfulness, and his eyes spoke of a determination and a depth of
passion that no boy had ever known.
He
was handsome in the extreme, a timeless statement of perfect proportion and
balance of features that would have pleased Da Vinci as well as Maplethorpe.
But
it was not his beauty that struck Rachel like a baseball bat; it was something
else entirely. The image of his face was attended by a lightning-bolt of memory.
Rachel knew it immediately and undeniably, with a knowing that reached to the
deepest marrow of her bones: this man's face was the key to her mystery.
There
was love in his eyes, a love that she had never dreamed could be---a fierce
love, of the kind that capture's a man's heart, and then ignores that captive's
pleas for mercy---an implacable love, as strong and irresistible as the tides
that drag the seas around the world.
To
find this one proof that such a love had ever existed was like finding a holy
relic that gave the proof of Heaven; Rachel wasn't sure that she could stand
to look into those beautiful blue eyes for long. There was too much love in
them for her to see without leaning toward them, as if a love that strong generated
its own inescapable gravity.
And
fear was there, coiled in the corners of his eyes like quiet serpents---the
fear that watches and waits whenever a love so commanding rules the soul. And
loss was there, and sorrow, and hope, and enduring passion.
Those
emotions, like towering waves from each quarter of the sky, crashed together,
and Rachel was helpless in the center of them. Her lungs locked. Her arms outstretched.
Time held its breath. Rachel stared at those beautiful eyes, and her soul recognized
them immediately.
She
felt so alive in that moment---more vitally alive than she had ever felt before.
But it was also terrifying in its intensity. And she could almost hear a voice
that insisted she go back. Away. Now. Before those feelings trapped her and
crushed her.
The
wooden frame of Miriam's couch creaked as the woman stood. The parquet floorboards
groaned beneath her weight as she neared Rachel's side. Then the older woman
clapped her hands.
"Rachel!
Listen! Listen to me!"
In
a strangely detached way, Rachel was amazed to be simultaneously aware of her
dream of the past and of the circumstances of the moment. Tangled in feelings
that stunned her, awash in confusion and fear, Miriam's voice became a beacon,
and Rachel followed it. The vertiginous waves of emotion began to recede and
eventually left her beached upon the shores of her own identity once more.
Yet,
regardless of whatever she hoped to catch in the net she cast into her past,
precious few images clung to it now: There were faces there. One old and wise.
One dark and ominous. And the deliciously handsome face of the Blue-Eyed Man,
shining with love.
Behind
them, a structure stood in somber light: the Manor House. Its corroded edges
etched sharp shadows on the barren ground around it. The image radiated from
her mind, and with it came a fear that chased her courage to cringe in a corner
of her mind.
She
tried to hold back a scream, but her lungs snatched enough air to carry it and
threw it across the room before she could stop it.
She
told herself this fear wasn't necessary. Nothing was really happening here.
This was only a dream---an hypnosis-assisted journey to find the key to penetrate
the mystery of her recurring nightmares.
But
Rachel screamed again at the mental image of the old Manor House, though she
couldn't begin to understand why.
"One!
Two! Three!"
Miriam
clapped her hands again. This time Rachel's eyes snapped open and her lungs
froze mid-scream. She inhaled a strong breath and straightened her spine against
the upholstered back of Miriam's favorite chair.
"It's
okay, Miriam. I'm here."
Miriam's
posture relaxed, and she smiled one of Rachel's favorite smiles. Miriam's face,
a delightful study in shades of teakwood brown, was made for that wide smile.
But a moment later the haunted look in Rachel's eyes drove that smile away.
"You
had me scared there for a minute, girl."
Rachel's
eyes rolled upward and stole a glimpse of Miriam's maternal scowl that was segmented
by the curved bars of her lashes, and then her line of sight moved downward
to her own hands. They were tangled in her lap like a bundle of twigs. She separated
them and placed them on the thighs of her pale over-washed Levi's. She sighed,
as much out of embarrassment as relief, and then she returned her gaze to Miriam's
warm brown eyes.
"We
didn't learn much, did we?" Rachel said, shrugging slightly to say that she
was undaunted, though concerned that Miriam was disappointed in her.
"Honey,
you gotta remember, you can't just bust down doors in the subconscious." Miriam
reached back and winced as she turned toward her couch. "They take keys." Miriam
released her large hand from the back of Rachel's chair and clamped it on the
back of the couch. She took a step, and another. "And sometimes the locks get
rusty." She smiled the half-smile that told Rachel to look beyond her words
for a deeper meaning.
Rachel
understood. "I know. But I think I made some headway today."
"I
think you're right." Miriam gusted a breath as she lowered her body to the couch.
The leather cushions sighed a long comfortable sigh.
Rachel
grinned a triumphant grin. "I saw the face of the man who is at the center of
the dream."
Miriam
glared in shock. Rachel's cheeks ran hot for a moment. She knew she was blushing,
but she didn't care.
"Are
you sure?"
Rachel
grinned wider. "Oh, yeah. I'm sure."
"Who
is he?"
Rachel sighed, looked down at her legs, and bit the tip of her tongue behind her closed
lips. She felt like a schoolgirl again, dizzy with the raptures of a new and
pristine infatuation. She held the image of the Blue-Eyed Man before her and
studied it, and the blush spread from her cheeks to her neck and upper arms.
"I don't know." She grinned an unconstrained excited grin that drew a chuckle from Miriam. "But I do know I'm going to find out."